Monday nights, never sounded so good!
33 notes
The New York Times this weekend has a ton of great stuff on W. Eugene Smiths body of work in The Jazz Loft Project. The audio slide show alone is worth the three minutes of your time.
“My style boils down to this: First of all, I never put more meaning into a sentence than is absolutely necessary. Second, the sentences have to have rhythm. This is something I learned from music, especially jazz. In jazz, great rhythm is what makes great improvising possible. It’s all in the footwork. To maintain that rhythm, there must be no extra weight. This doesn’t mean that there should be no weight at all – just no weight that isn’t absolutely necessary. You have to cut out the fat.”
-Haruki Murakami
Miles Davis Quintet - So What
April 2, 1959
Invent time travel and send me here. I don’t ask for much.
Ella Fitzgerald performing at the New York nightclub Downbeat 1948. Watching are Duke Ellington, center, and Benny Goodman in glasses behind Ellington.
photo by Herman Leonard.
Thelonious Monk The Life and Times of an American Original by Robin D. G. Kelley.